Showing posts with label GraceliaGangmei. Show all posts
Showing posts with label GraceliaGangmei. Show all posts

Sunday, 15 April 2018

Womb

Womb
.
In the sacred womb
a seep of God’s breathe starts to knit
with all His Glory and Deep Love
into a heartbeat, a new life
beating to be loved
to be wrapped tenderly
to be gazed at and to be believed in.
Came out crying hungry is a beautiful sign
a baby’s first task is to suckle mother’s breast
how a newborn fought hard to survive in its first minutes
The Creator gleaming and instilling all strength
on the infant lips

in all its helplessness.
.
-graceliagangmei

Monday, 9 April 2018

run


Gravel of unprocessed vibes
Crackle under your shoes
Blood rushing pulsating
Through the city lights
Rhythm of steel and bones
Choose grit

Run awhile
See the planes fly a mile
Cutting through the vast expanse of blue
Leaving fleeting lines for seconds
Mesh of leaves shading over you
You got your own pace

Dripped wet concrete roads
Almost reflecting like mirror
Cushions of fallen buds
Flowing along in the pavement streams
A Himalayan air for a day
enveloping the concrete jungle

Lovin' the empty lanes
Facing the dark alleys
Spaces where GPS couldnt pin
once fields, now bustling dwellers
Layering the same spaces of
Bitter memories with better memories

Destination was more than a lemonade
Run past laughing at Sarojini slogans
Street musicians senerading with a song
By the Pinterest houses springing up
Destination wasn't imagining a lit church 24/7
its gates closed and dark

Destination is these children
Insides the gates of high rise elites
Or DIY doors of street smart slums
Whose cycles speeds across
Little feets that runs across
On the playground markings
Picking up the pace where you left off.

Sunday, 8 April 2018

Nonet

Like a hurricane the wind blew hard
Reminding us of nature's wrath 
I grab the hung clothes inside
These little cares of life
Incomparable
with the horror 
or sweetness
left in
air.

Saturday, 31 March 2018

Essay on poetry Journey

Crafting Poetry
January-April 2018
___________________________________________________________________________________________________


I must admit the class workshops was therapeutic. Quite surprised at classmates
honesty in baring their thoughts in it. Since I missed the midterm submission of 6 poems.
Restarting from scratch to finally pen down. I was quite critical of it since
I am never good at words. I found myself recollecting unrecorded experiences of life,
esp inaudible instances and moments which was undeciphered. I found myself also
waiting in the present to let words come in from what I see and observe
everyday. Switch my thought towards what I am actually doing at the moment, this
is a renewed experience for me because I find my thought process which used to
be constantly muddled up ranting out bits by bits in raw unprocessed emotive words
. The drafting piece has lots of lines unused yet it was fun to pick add or delete....
playing with sentences and googling grammer synonyms has led to richer vocabulary...
learning new words and awareness on grammar accuracy, left me
wondering if the gift of words is an inherent or an acquired skill.
Poetry is a safe space to vent...a space to hammer,
transform and give strength to our  language and celebrating the crafted mind.


The deep concentration and feeling of the moment as a
waiting period for words to flow was the fuel of the first Poem
‘I breathe’. The Villanelle structure was birthed when I placed
the rhyming of words. From the words itself brings meanings
and new resonance which I connect the dots with migratory
familial spaces to society to political. I didn't intend to but it turned
out into a new stream of thought. It has music element on which
i traced a friend’s who is musician and his absence after his
death and the current grief has led me to understand what is
this present now. Wrote this poem in waves of heightened
emotion and fear. The poem further led to the emphasis on hands
as a major subsequent themes in the rest of my poems.
Speaking of the past history and upbringing has been a major
topic in my everyday engagement to decipher...and the
everyday working of hands stood out as a major theme in the
rest of the poems as well...I am noticing...through the hands
is what comes the eating of fruit good or bad, a metaphor of
nurturing role or brought even the possibilities of Eve giving fruit
to Adam. Holding thy hand as a representation of the Creator.
Poems I infused in is things from pre acquired beliefs, things
from lived visuals and silence in my writing is also used as a
main drive  for noting down such non-verbal experiences. I
enjoyed the repeated techniques of villanelle. From this birth
the direction to reality, was rewarding. The poem didn't not
succumb only to private sphere but also moves in legal matter
and even political and cultural catastrophe. In short its best
to write in bad moods, so sometimes I’d write when I am
physically hungry.


I took weeks to finally finish the draft of ‘April’. Found the theme
most challenging to write. putting in bits of past experiences
and the poem April meant to have this resonance of the many
years of april counting from decades in dreading the coming
month of 2018 which is next month. The dates was important
and I resorted with time calculation because of the important
events in April. The familiar sights in the approaching summer
like the cassias always seemed like weeping peacefully. it was
also times of goodbyes to loved ones and celebrating of their
birthdays and anniversaries. However it was after the political
performative poetry workshop, I find the family as politically
socio-economic structure and a closest confide of everyday
interactions. I also wanted to see how my perspective would
change after spilling out an uninterrogated past emotions.
The performative style was different in every performative
poem that I listened for hours. Some are lyrical and narrative and
some sounded more like a resistance in an angry protest, an
urgency. Angershatters and breaks into a mess, I still feel the
poem needs to be edited and I am not satisfied in terms of  laying
it out everywhere, I don't understand myself where to put,
what to add and delete or what I wanted to express and in
consideration of what audience I am speaking to. There are too
many characters in thought...I also took advantage of writing
some excerpts from the movie scripts 'Jungle' in the life story
of amazon trekker survivor...i like the way the red ants falls on
him and bites him where he planned this to wake himself up
from psychological hallucination. After writing this poem I fear
no more and ready to embrace the April month.


I enjoyed the visual possibilities of ‘Poetry of everyday objects’
 and transferring it into humane sensibilities...I feel I should
work more on the visualisation in writing poems, this may blend
well with my artwork practice as well. The wristwatch
stemmed on the four line poem exercise from the class, to ‘dig
in the sublime thought as the brand’ talk against the popular
capitalist things we consume everyday. Basing the worth of an
object by branding is a rejection of the particular worth of a
gift. The rest of the objects i picked were dearly loved objects,
that which I am familiar ad remember where it come from,
 was an easier path to bring out sensibilities in a tea bag, red
velvet cake and Tea tree essential oil. Though honestly
overnight, I guess objects that we continue to use everyday
will bring more nuances as I spend more time with it.


The following independent poem - Unfinished lines starts with
symbolically known historical elements like Auguste Rodin's
hands and ends with Kintsugi a japanese art of mending broken
pottery by Gold. I took more pleasure in using those popular
forms to create a meaning of the love poem in a couplet. This
poem is largely an inaudible expressions except for the
whispering, giving more emphasis on the potential of invisible
lines. This was purely playful. Using the traces from object
poetry and inaudible but experiential expressions except for
a whisper.  In another independent poem ‘Here’ I thought of
one theme ‘here’, as a space to talk. A certain space, certain
person, and certain conditions and intentionally made it into
a meditative poem. As a reminder as well, because out of my
habit to write notes wherever I walking, sitting, at any given
time, I thought why not make a poem which is set as a note
reminder to enhance the journey of authenticity.


Altered beauty, a response poem from Nitoo Das ‘Geeta
sings thumri’, I followed the same pattern of  four stanza, seven
stanza and two stanzas gave boundaries and did brought
of meaning in its shifts. Getting to read Nitoo Das’s works and
the aim to bring out its interiority .has brought focus on the
concern of editing and directional mechanism of technology
and media.  The concept of movie director’s portrayal and the
larger scope of media is huge and vast to generalise it all in.
So i narrowed down into an everyday social media level because
that way is also a public persona and what are we do
without reexamining consumption of visual in the
advertisements and media.


Power of short words, short poems, it's been short four
months of poetry but I shall use this as another quiet space for
venting out. Sometimes I wonder if i edit too much or just let
the words flow with the mix of emotions filtering by time. I
enjoyed the reading and editing of friend's poems, seeing
different insights of weakness and strengths of each poems
and how all these is an integral experiences expressed in
crafted text and filling our blog. At one point I was shocked
too when people laughed at a certain opinion which is against
my faith and I struggled  to break out from their one
dimensional background. But eventually I came in peace with
it that all those exercises stays in the classroom and
renewed respect even in difference of opinions was what
shape me. Sir's example of punctuality and preparedness
was which led to birth of poems. A simple act, what is in
poetry is expanding its nuances from that very simple act.
Words are still blunt and spread everywhere as I draft but
the draft i think is a gold mine to always go back when lost.


________________________________________________________________________


Written By,
Gracelia Gangmei


MA VISUAL ART

Friday, 30 March 2018

Altered Beauty (Geeta Sings Thumri)


Shutter, snaps and shots
Vain disdainful selfies
A mastered smize
Chicken hands poses
Female gaze. male gaze
Like some hideous trick of fate
Sardonic laughs

House of cards

Easily destroyed by flick of finger
Weighing by rectangular pixels
whats on background
whats on foreground
A new name: Naturally filtered frame.

Carefully lined large khol eye
s

A moon face. scarlet lips
Curls, straight or highlighted hair
Whats really your natural hair?

Ed, I'm thinking our loud

Maybe you both found love right where you were!

Fabricating her porcelain body

A bigger booty standing on 3 inch heels
Pulsating curves, spasmodic movements
Flushed blushes. Fat talks

Go on for the stage the pedestal

Making moths into butterflies
Top designers steals from flora and sunsets
Perform in-front of the lens
Record. edit. until you forget
What food actually taste like

You framed me

Into your definition of beauty
Eloquent captions. Pitch Perfect Smule
I shall not yield
to the media pageant!
My beauty is my breathe
Until I grow aged silver locks
And Smile a
a wrinkle smile.

Here

So much freedom as I sit
I see none but feel all
waiting waiting
I am a waiter
I only wait for you
To feel Your Images more
A room divider
In veils…in shades…
Just You and me
Here.
Tolerant safe space
Uttering my slippery tongue
Help me!
With this ongoing disturbing images
Old flames burning
As I sit with You
You stoop down
To cleanse my feet
How could You?
I buried my face on my knees
My green lens replaced by Your loving Lens
Cleansing me layer by layer
Your Blood slashing the poisonous purple veins creeping on my back
I see only darkness dying
Clapping with thankfulness
In my shakened serenity
I sing You a love song
My cleansed feet ready to walk
To those You love
Release my ears like You hear
To listen broken voices
Grasping every solitude
To talk to You
To hear You say each day
‘I am Your Pillow
Your Confide.’

Thursday, 29 March 2018

unfinished lines


_

Centennial sway of Rodin's hands
Unraveling our arms

Sculpted legs
Sinking in deep naps

our consummated kiss,
its taste no one will have its recipe.

Dilated pupils and wet eyes,
Whispering make my love fly home safe.

Highlighting a moment of unutterable groaning
A cracked golden radiance of Kintsugi.

_

GraceliaGangmei

Wednesday, 28 March 2018

The Poetry of Everyday Life: I


_
A wristwatch

From a beating heart flows streams of steel and gold 
Ballet hands shifting scapes
Steady the 6 crystals of shame and 6 crystals of honor 
Only your sublime thought is the brand

_
a tea bag 

Bravest one
Dipping in hot water
seeping out from your fabric
a Smokin' scarlet
 whirling fumes.
_

Red velvet cake

My scarlet bodice
A bride in white cheesy icing
Kept aside for a special memory
Spoiling tongues
 Disobedience melting
Shared sweetness
is freeing.
_

Tea tree essential oil

Pouring to purify
Invisible yet so present
Biting ruthless aroma
Acne, allergies and flu flee
Healing skin and air
A lingering promise

_
GraceliaGangmei

Saturday, 24 March 2018

April


If I could strike out April,
Cassias will not weep drops of yellow
Mother will not be born nor will I
Nor your parents nor will you
No celebrationsno marriage anniversaries
By clicks of button our directions are made
for flight tickets
of picking of dates
of graduations
of sleepless nights
Many things happen on April
A phone call that shifts the cosmos
Counting how many pills did you popped,
how many needle holes on your skin
A midnight of April
A dreadful dream could've been better
Like a passing away of winter air
Sleeping forever
No need to paint your face
no red lips to enhance
simply comb your ruffled hair
splash your shame
soak your tired skin
Why wait to eat untill the stomach growls
Why strike out April?
The bike bangs the same head
awakening the same pulse
deafening ears, throbbing head
Slowly casacading into the memoir of the fist
'Sshh, speak not if you don't want a fist' 
they sayThe fist that crushes his own brittle sperm and egg
swarm of maroon blood fumes
hard enough to adjust the vision
no sound no cries
Its a fist to get your head right, they say
Only 'sorry,' is all you can say
But April tell me!
who can silence the screams of a baby
Blatant strike on the fontanel!
who remembers the blackout
Who holds the moment of that blackout...
Who handles your nerves
What made you gasps for air
Eyes shut, sobs on the background
Warm drops trickled on your skin,
 it wasn't mine
It was April's.
Gentle sobs gentle hands dabbing the wounds
Wake up from your hallucination!
slowly pull the green shoots, pull yourself out of this mud
Bare it all, skin and bones
Let fire ants showers on you
let it slash, burn, roar and scream
Like a 3-inch rusty nail grinding into your heel
April felt everything
Weight of whispers,
A glance shifts the cosmos
On your knees
Touch the heaven's crystals
A broken body rises on April
There's too much to strike away from April.

Wednesday, 14 March 2018

I breathe


I breathe for your presence
Absence is such a agonizing slow beat
A pang in the pin drop silence

Holding thy hand since adolescence
Devouring the summer peach, fresh and sweet
I breathe for your presence

But the other hand that works earns a pittance
It is mess here, even a garden soil isn't neat
A pang in the pin drop silence

A movement, a quietness spells like riddance
Waking up by window the birds beamed and tweet
I breathe for your presence

Scratching the ink in paperworks for licence
Heaps of gazes and alienation is all I eat
A pang in the pin drop silence

Weary legs, my roots shall sink for balance
Where is spring waters that seeps to calm this heat
I breathe for your presence
A pang in the pin drop silence